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New York Times | Featuring Chuck Kelton

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  Hearing and Feeling What Photographers Are Saying   By Rena Silverman Mar. 25, 2015 Mar. 25, 2015    In his 35-year career as a master black-and-white printer, Chuck Kelton has held some of the most important negatives in history: from Ansel Adams’s “Moonrise, Hernandez, New Mexico” to Alfred Eisenstaedt’s “V-J Day in Times Square.” So it makes sense that when he is in his darkroom with his chemicals and classical music, nobody can – or should – disturb him. “Everything is so vulnerable in

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